Prototype kitchen

Working in digital product research and design, I can’t remember a project where we didn’t use a prototype in one form or another.

I’d not thought about doing it in the house until necessity paved the way – we ran out of time…

We’d worked up the eventual kitchen design through various discussions with Sam from IT Woodwork. Sam provided us with pictures from his Sketchup model. Then Simon from the greenhouse project worked his magic and in next to no time had built a prototype from 2by2 and ply. It’s fully functional, and all the appliances are in the places they’ll end up.

Prototype kitchen (1 of 2) Prototype kitchen (2 of 2)

This means we’re able to spend a few weeks testing out the layout for ergonomics, and can make any adjustments if we need.

And to top it all, each unit is standalone and reusable elsewhere afterwards.

We’re calling it dweller-centred design.

Projection Hero

Projection Hero by Beatnic
Projection Hero, a photo by Beatnic on Flickr.

I learned to be a projectionist in the early 1980s.

Our physics teacher at school, Mr Smith, taught me and a friend. We would practice “lacing up” the film, focusing the lens and switching reels as quickly as possible. We learnt to cut and splice the film to make edits or repair damage.

So when I went to Bristol’s Watershed Centre on Wednesday, I was immediately drawn to “Projection Hero” which is currently installed there.

It’s a collaboration between Charlotte Crofts of UWE, and Tarim.

“There will be a laptop, housed within a large white box, which will form the cinema screen, framed by working velvet curtains and lights. There will be two little viewing holes, for projectionists windows at the back so that you can peep in and watch the tabs open up. We’re using a curtain mechanism powered by a motor controlled by arduino, all hidden in a recess behind the computer screen, together with speakers and all the power cables. The floor of the cinema will be raked and populated with tiny little hand-carved cinema seats.”

Inside the cabinet, a QR code is generated, which you can scan with your handset. This will take you to a uniquely generated URL showing you the projectionists controls.

You can dim the lights, open and close the tabs (curtains), move to the next reel… all using your handset.

Read more about the Projection Hero project on Charlotte Crofts blog.

Brilliant!

Today’s lunchtime run in “flyover video”

(Update 16 Dec 2011: I’ve had to remove the embedded video, as it always autoplays every time anyone visits this website. V annoying!)

Here it is on the mapmyrun website: http://www.mapmyrun.com/routes/www.mapmyrun.com/routes/view/55673464

A natty feature courtesy of the folks at MapMyRun. You don’t feel the hills quite so much in bird’s eye mode :-)

Jobs I’ve had: Car auction driver

[Like many, I'm a firm believer that we learn by doing, and the benefit we gain from the variety of our experiences - both positive and negative - we bring to every new situation. So I thought I'd write about a few of the many different jobs I've done since my first in the mid 1980s.]

One of the numerous different jobs I’ve had was driving cars being sold at auction.

It was in the early 1990s, during my second stint at university. As I had no lectures on Wednesdays one year, and I needed the extra cash, I signed up with the temping agency Office Angels. They called me in. The auction house was just off Plough Lane, near Wimbledon Football Club’s old ground.

Over a couple of terms I must have driven about 200 cars, in all shapes, colours and sizes and in varying degrees of roadworthiness. From Minis to Mercs, from Reliants to Rollers.

I’d turn up each Wednesday at the Portakabin at 8.30am, put my overalls on, drink an oversweet instant coffee and smoke two or three roll-ups while reading the red-tops with the rest of the drivers.

At around 9.00am we’d head up to the old multi-storey car park, filled entirely with cars for auction. The supervisor, clipboard in hand, would point at each of us in turn and then point at our respective car. Then, with a bit of luck, the engine would start and we’d spiral down the multi-storey and form a queue outside the auction hall – really just a huge shed, with a carpeted space in the middle for each of us in turn to aim our car at, and a raised platform to the right for the auctioneer and his gavel.

If the car conked out in the queue, then you would be humiliatingly rolled on to the carpet by a few colleagues, causing cackles of laughter from the assembled buyers.

Wheeler dealers everywhere, mobile phones (still on the small brick scale) glued to their ears, sheepskin and leather jackets. A lot of cigar smoke. This was Arthur Daley territory.

“Ere, give it some revs son!”

“Lift the bonnet up will ya! ‘As it been clocked?”

Sitting in a car, that’s being auctioned, is like being on a very strange stage. And for some reason I used to feel slightly responsible for whether or not the car sold.

If the car went for a good price I’d feel quite chuffed. But if it didn’t sell at all, and then you had to be pushed off because the engine had died, I can imagine what it might feel like not to get through to the second round of auditions in Britain’s Got Talent.

Then it was back up to park the car, and pick up the next.

My five minute talk on analogy at UX Bristol

At the end of the excellent UX Bristol back in July, a few of us gave 5 minute talks. These talks are now available to watch online.

I talked about how – when I was running the intranet at the BBC back in 2005 – I was inspired by the transformation programme at London’s South Bank Centre. I found it a useful analogy for the work we were doing to transform our digital workspace.

Useful to a point, I find analogies can become most interesting at the points where they break.

This is a short version of the longer talk I gave at London IA back in November 2010, which Martin Belam blogged about. See also Matthew Solle’s post Conversations Over Coffee for some more background and a little bit of ranting.

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